Both industry as a mix engineer, a live sound engineer, as well as hobbyist when it comes to music making.Audition for two track destructive editing (I want this wav file to fade out - instead of starting a project, applying a fade, exporting the track, just open audition, fade it, and save it).Pro Tools: basically only use it when I have to - if I'm in another studio or sharing projects.I use PT, Audition, and Logic (in reverse order ha).Still, I choose only to use Logic when it is within my control. I don't like the vague 'it's the industry standard' argument for Pro Tools, but within it-only if it's relevant to you-collaboration compatibility can be a real enough consideration to force the choice. However, these actually become more and more irrelevant overtime as whichever DAW you use more eventually becomes where you have figured out how to maximize your potential. All things considered, I find the DAW capacities are roughly equal with some aspects outperforming others. Pro Tools is overly expensive (and they always find another low-value reason keep you paying high.), they have terrible customer relations/care, and their product security policies are as disruptive as they are ineffective. So pick whatever DAW tickles your fancy, or just pick one because a random on Reddit told you to (use logic).ġ) I learned both Pro Tools and Logic Pro in school and have used them both in professional circumstances.Ģ) I only use Logic because I'm sick of Avid's crap. I used reaper for years before getting into logic and had no issues actually making music, the UI was just a little ugly. I think looks are important when picking a DAW because you have to spend hours and hours looking at it, even more so than the functionality a lot of the time. I like it very much it's intuitive and pretty to look at. I use Logic because I do film scoring as part of my studies. Pro Tools will be around for a long long time and is the DAW of choice for most audio engineers/mixing specialists that work with recorded sound. Better suited to mixing and mastering stems than making tunes from scratch like you can in logic/ableton. It's also the DAW of choice for commercial music/sound design (film scoring, atmos, adr, etc.) Jotting down ideas and quickly adding effects to aide composition is Logic's strong suit. Logic is good for the actual craft of music making.
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